by PureLight » Mon Oct 08, 2012 2:57 pm
I loved that article. A lot of it makes a lot of sense in how it worked and maaaaaan, it makes me feel sorry for the people who end up being entertainers with S.M. and J.Y.P. but I suppose they went in for it.
It'll still surprise me to see any of them break through in any kind of lasting success. PSY is a one-hit wonder over here, I think. An incredible one for sure but not something I see being sustained, regardless if he's been picked up by Scooter Braun. The Wonder Girls' Like Money plays pretty regularly on our top 40 station here though, which I find pretty amazing but then again, they're going to be performing at a concert the station's putting on at our House of Blues. It's a good song for the radio.
Girls' Generation would be my favourite to come through though. The level of work they've put into it is pretty intense and to see them perform over here on a TV show would be like "SEE, I TOLD YOU PEOPLE" for me but I'm expecting it to just fall by the wayside like all the other starts over here. S.M. had to have learned from BoA which is why I like the Interscope deal, because it guarantees a certain level of expertise in terms of promotion that S.M. just didn't have the inroads for over here the first time.
The writing camps that exist nowadays are incredible to me, the sheer amount of people that put input on so many songs out now. I mean, there's always Max Martin and Dr. Luke and their normal collaborators like Shellback or Benny Blanco but an increasing amount of people getting in on it like StarGate, Tricky and The-Dream (although these guys have been at it for a WHILLLLLEEEEEE) and I think the reaching out to Akon is a good idea for Wonder Girls (although really, couldn't they have picked a more.....relelvant? guy for a collab? i suppose he's looking for work, though.) but again, can it be kept up? Can they continue to get these songs? And more importantly on the radio.
I'm absolutely interested to see how entertainment in general is going to explode with Chinese involvement though. Disney's already working with Chinese financing for Iron Man 3 and the expectations that seem to be just building up to mountains in that article with the Chinese music market are pretty astounding.
My thoughts are all over with this since it's been a couple of days since I read the article at work (it was very very dead.) but maaaaan, I live for this kind of reading in terms of the music industry hahaha.