Amped wrote:Zunu wrote:I just don't get the short-sightedness of Japanese media companies in taking down these kinds of uploads, which will surely be stuck in a vault and never be seen again, instead of just monetizing the post, and using them as grassroots popularizers. These kinds of miserly missteps are surely part of the reason why kpop is eating jpop's lunch.
NHK doesn't like anybody re-uploading their shows to youtube. J-MELO does not upload to youtube. UPFRONT has no control over their performances on J-MELO. NHK World only puts videos on their official on demand site which was recently implemented not long ago.
The only time NHK World allows a J-MELO performance is when they are showcasing the show for new viewers. They only upload 1 video.
https://www.youtube.com/c/NHKWORLDJAPAN ... ery=j-melo
I appreciate the response, but my whining about the short-sightedness of ‘media companies” was regarding the short-sightedness of the video rights holder (NHK), not of the performer (Up-Front). Obviously NHK are doing the takedowns, just as they do with non-H!P stuff. I just don’t see the point of it all. It seems to me as indicative of a rigidly parsimonious attitude that has in the long run hurt Japan’s cultural cachet. Back in the day, Japanese anime and manga, live-action, and music were huge on the nascent internet, essentially via piracy. Anime and manga adapted, and are now ubiquitous with multiple avenues of legitimate international distribution.The other stuff has been comparatively marginalized. Seems like a missed economic opportunity. I get that in the short run, they probably feel obligated to exercise due diligence in protecting their IP, and that’s that.